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MANRIQUE

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:manrique:b8be7fbe3f57
Section
Hash Algorithm
sha256
Stored Hash
afe4bf1625b13e33c8fe6984dab2958392d8a468d5cf9d344eeb335ca1d08653
Computed Hash
afe4bf1625b13e33c8fe6984dab2958392d8a468d5cf9d344eeb335ca1d08653
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:43:24
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Verified Text

manrique, gomez (1412?-1490?), spanish poet, soldier, politician and dramatist, was born at amusco. the fifth son of pedro manrique, _adelantado mayor_ of leon, and nephew of santillana (q.v.), gomez manrique was introduced into public life at an early age, took a prominent part against the constable alvaro de luna during the reign of john ii., went into opposition against miguel lucas de iranzo in the reign of henry iv., and declared in favour of the infanta isabel, whose marriage with ferdinand he promoted. besides being a distinguished soldier, he acted as a moderating political influence and, when appointed _corregidor_ of toledo, was active in protecting the converted jews from popular resentment. his will was signed on the 31st of may 1490, and he is known to have died before the 16th of february 1491. he inherited the literary taste of his uncle santillana, and was greatly esteemed in his own age; but his reputation was afterwards eclipsed by that of his nephew jorge manrique (q.v.), whose _coplas_ were continually reproduced. gomez manrique's poems were not printed till 1885, when they were edited by antonio paz y melia. they at once revealed him to be a poet of eminent merit, and it seems certain that his _consejos_, addressed to diego arias de avila, inspired the more famous _coplas_ of his nephew. his didactic verses are modelled upon those of santillana, and his satires are somewhat coarse in thought and expression; but his place in the history of spanish literature is secure as the earliest spanish dramatist whose name has reached posterity. he wrote the _representacion del nascimiento de nuestro senor_, a play on the passion, and two _momos_, or interludes, played at court.