GoGuides Verified Text
LAYA
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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:laya:68adfca13f63
Section
Hash Algorithm
sha256
Stored Hash
83a3207e8b8ec356245f4df5d3a4adc239d27d1f05602df44620e2de11ffc21c
Computed Hash
83a3207e8b8ec356245f4df5d3a4adc239d27d1f05602df44620e2de11ffc21c
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:43:18
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Verified Text
laya, jean louis (1761-1833), french dramatist, was born in paris on the 4th of december 1761 and died in august 1833. he wrote his first comedy in collaboration with gabriel m. j. b. legouve in 1785, but the piece, though accepted by the comedie francaise, was never represented. in 1789 he produced a plea for religious toleration in the form of a five-act tragedy in verse, _jean calas_; the injustice of the disgrace cast on a family by the crime of one of its members formed the theme of _les dangers de l'opinion_ (1790); but it is by his _ami des lois_ (1793) that laya is remembered. this energetic protest against mob-rule, with its scarcely veiled characterizations of robespierre as nomophage and of marat as duricrane, was an act of the highest courage, for the play was produced at the theatre francais (temporarily theatre de la nation) only nineteen days before the execution of louis xvi. ten days after its first production the piece was prohibited by the commune, but the public demanded its representation; the mayor of paris was compelled to appeal to the convention, and the piece was played while some 30,000 parisians guarded the hall. laya went into hiding, and several persons convicted of having a copy of the obnoxious play in their possession were guillotined. at the end of the terror laya returned to paris. in 1813 he replaced delille in the paris chair of literary history and french poetry; he was admitted to the academy in 1817. laya produced in 1797 _les deux stuarts_, and in 1799 _falkland_, the title-role of which provided talma with one of his finest opportunities. laya's works, which chiefly owe their interest to the circumstances attending their production, were collected in 1836-1837. see _notice biographique sur j. l. laya_ (1833); ch. nodier, _discours de reception_, 26th december (1833); welschinger, _theatre de la revolution_ (1880).