JAMES

james, henry (1843- ), american author, was born in new york on the 15th of april 1843. his father was henry james (1811-1882), a theological writer of great originality, from whom both he and his brother professor william james derived their psychological subtlety and their idiomatic, picturesque english. most of henry's boyhood was spent in europe, where he studied under tutors in england, france and switzerland. in 1860 he returned to america, and began reading law at harvard, only to find speedily that literature, not law, was what he most cared for. his earliest short tale, "the story of a year," appeared in 1865, in the _atlantic monthly_, and frequent stories and sketches followed. in 1869 he again went to europe, where he subsequently made his home, for the most part living in london, or at rye in sussex. among his specially noteworthy works are the following: _watch and ward_ (1871); _roderick hudson_ (1875); _the american_ (1877); _daisy miller_ (1878); _french poets and novelists_ (1878); _a life of hawthorne_ (1879); _the portrait of a lady_ (1881); _portraits of places_ (1884); _the bostonians_ (1886); _partial portraits_ (1888); _the tragic muse_ (1890); _essays in london_ (1893); _the two magics_ (1898); _the awkward age_ (1898); _the wings of the dove_ (1902); _the ambassadors_ (1903); _the golden bowl_ (1904); _english hours_ (1905); _the american scene_ (1907); _the high bid_ (1909); _italian hours_ (1909). as a novelist, henry james is a modern of the moderns both in subject matter and in method. he is entirely loyal to contemporary life and reverentially exact in his transcription of the phase. his characters are for the most part people of the world who conceive of life as a fine art and have the leisure to carry out their theories. rarely are they at close quarters with any ugly practical task. they are subtle and complex with the subtlety and the complexity that come from conscious preoccupation with themselves. they are specialists in conduct and past masters in casuistry, and are full of variations and shadows of turning. moreover, they are finely expressive of _milieu_; each belongs unmistakably to his class and his race; each is true to inherited moral traditions and delicately illustrative of some social code. to reveal the power and the tragedy of life through so many minutely limiting and apparently artificial conditions, and by means of characters who are somewhat self-conscious and are apt to make of life only a pleasant pastime, might well seem an impossible task. yet it is precisely in this that henry james is pre-eminently successful. the essentially human is what he really cares for, however much he may at times seem preoccupied with the _technique_ of his art or with the mask of conventions through which he makes the essentially human reveal itself. nor has "the vista of the spiritual been denied him." no more poignant spiritual tragedy has been recounted in recent fiction than the story of isabel archer in _the portrait of a lady_. his method, too, is as modern as his subject matter. he early fell in love with the "point of view," and the good and the bad qualities of his work all follow from this literary passion. he is a very sensitive impressionist, with a technique that can fix the most elusive phase of character and render the most baffling surface. the skill is unending with which he places his characters in such relations and under such lights that they flash out in due succession their continuously varying facets. at times he may seem to forget that a character is something incalculably more than the sum of all its phases; and then his characters tend to have their existence, as positivists expect to have their immortality, simply and solely in the minds of other people. but when his method is at its best, the delicate phases of character that he transcribes coalesce perfectly into clearly defined and suggestive images of living, acting men and women. doubtless, there is a certain initiation necessary for the enjoyment of mr james. he presupposes a cosmopolitan outlook, a certain interest in art and in social artifice, and no little abstract curiosity about the workings of the human mechanism. but for speculative readers, for readers who care for art in life as well as for life in art, and for readers above all who want to encounter and comprehend a great variety of very modern and finely modulated characters, mr james holds a place of his own, unrivalled as an interpreter of the world of to-day. for a list of the short stories of mr henry james, collections of them in volume form, and other works, see bibliographies by f. a. king, in _the novels of henry james_, by elisabeth l. cary (new york and london, 1905), and by le roy phillips, _a bibliography of the writings of henry james_ (boston, mass., 1906). in 1909 an _edition de luxe_ of henry james's novels was published in 24 volumes.