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HELLO

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:hello:575f3a9dd109
Section
Hash Algorithm
sha256
Stored Hash
e337cd5be72bf10846e832476daa08f474f6c84f2f1c70cc86af757bedf6b854
Computed Hash
e337cd5be72bf10846e832476daa08f474f6c84f2f1c70cc86af757bedf6b854
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:43:08
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Verified Text

hello, ernest (1828-1885), french critic, was born at treguier. he was the son of a lawyer who held posts of great importance at rennes and in paris, and was well educated at both places, but took to no profession and resided much, for a time, in his father's country-house in brittany. a very strong roman catholic, he appears to have been specially excited by his countryman renan's attitude to religious matters, and coming under the influence of j. a. barbey d'aurevilly and louis veuillot, the two most brilliant crusaders of the church in the press, he started a newspaper of his own, _le croise_, in 1859; but it only lasted two years. he wrote, however, much in other papers. he had very bad health, suffering apparently from spinal or bone disease. but he was fortunate enough to meet with a wife, zoe berthier, who, ten years older than himself, and a friend for some years before their marriage, became his devoted nurse, and even brought upon herself abuse from gutter journalists of the time for the care with which she guarded him. he died in 1885. hello's work is somewhat varied in form but uniform in spirit. his best-known book, _physionomie de saints_ (1875), which has been translated into english (1903) as _studies in saintship_, does not display his qualities best. _contes extraordinaires_, published not long before his death, is better and more original. but the real hello is to be found in a series of philosophical and critical essays, from _renan, l'allemagne et l'atheisme_ (1861), through _l'homme_ (1871) and _les plateaux de la balance_ (1880), perhaps his chief book, to the posthumously published _le siecle_. the peculiarity of his standpoint and the originality and vigour of his handling make his studies, of shakespeare, hugo and others, of abiding importance as literary "triangulations," results of object, subject and point of view.