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HARP-LUTE
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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:harplute:d1165d6f9d44
Section
Hash Algorithm
sha256
Stored Hash
84e53c28895b41124e00b3f10ccc11ee0cc19a06c61ab2efbe6600755da62da0
Computed Hash
84e53c28895b41124e00b3f10ccc11ee0cc19a06c61ab2efbe6600755da62da0
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:43:08
Source URL
Verified Text
harp-lute, or dital harp, one of the many attempts to revive the popularity of the guitar and to increase its compass, invented in 1798 by edward light. the harp-lute owes the first part of its name to the characteristic mechanism for shortening the effective length of the strings; its second name--dital harp--emphasizes the nature of the stops, which are worked by the thumb in contradistinction to the pedals of the harp worked by the feet. it consists of a pear-shaped body, to which is added a curved neck supported on a front pillar or arm springing from the body, and therefore reminiscent of the harp. there are 12 catgut strings. the curved fingerboard, almost parallel with the neck, is provided with frets, and has in addition a thumb-key for each string, by means of which the accordance of the string is mechanically raised a semitone at will. the dital or key, on being depressed, acts upon a stop-ring or eye, which draws the string down against the fret, and thus shortens its effective length. the fingers then stop the strings as usual over the remaining frets. a further improvement was patented in 1816 as the british harp-lute. other attempts possessing less practical merit than the dital harp were the lyra-guitarre, which appeared in germany at the beginning of the 19th century; the accord-guitarre, towards the middle of the same century; and the keyed guitar. (k. s.)