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HALFPENNY

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:halfpenny:dd0ff08320c4
Section
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sha256
Stored Hash
c338bc36fd6ed97acc36a2cba39a3f3416e1511dfe42a7c2876bef9ab822ed2a
Computed Hash
c338bc36fd6ed97acc36a2cba39a3f3416e1511dfe42a7c2876bef9ab822ed2a
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:43:01
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Verified Text

halfpenny, william, english 18th-century architectural designer--he described himself as "architect and carpenter." he was also known as michael hoare; but whether his real name was william halfpenny or michael hoare is uncertain. his books, of which he published a score, deal almost entirely with domestic architecture, and especially with country houses in those gothic and chinese fashions which were so greatly in vogue in the middle of the 18th century. his most important publications, from the point of view of their effect upon taste, were _new designs for chinese temples_, in four parts (1750-1752); _rural architecture in the gothic taste_ (1752); _chinese and gothic architecture properly ornamented_ (1752); and _rural architecture in the chinese taste_ (1750-1752). these four books were produced in collaboration with john halfpenny, who is said to have been his son. _new designs for chinese temples_ is a volume of some significance in the history of furniture, since, having been published some years before the books of thomas chippendale and sir thomas chambers, it disproves the statement so often made that those designers introduced the chinese taste into this country. halfpenny states distinctly that "the chinese manner" had been "already introduced here with success." the work of the halfpennys was by no means all contemptible. it is sometimes distinctly graceful, but is marked by little originality.