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GODARD

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:godard:7ee0c7101b04
Section
Hash Algorithm
sha256
Stored Hash
5ec6a69039b1521e7a806691855357a485abbd4cb854fc510d5f00bc08e1d0b4
Computed Hash
5ec6a69039b1521e7a806691855357a485abbd4cb854fc510d5f00bc08e1d0b4
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:42:58
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Verified Text

godard, benjamin louis paul (1849-1895); french composer, was born in paris, on the 18th of august 1849. he studied at the conservatoire, and competed for the prix de rome without success in 1866 and 1867. he began by publishing a number of songs, many of which are charming, such as "je ne veux pas d'autres choses," "ninon," "chanson de florian," also a quantity of piano pieces, some chamber music, including several violin sonatas, a trio for piano and strings, a quartet for strings, a violin concerto and a second work of the same kind entitled "concerto romantique." godard's chance arrived in the year 1878, when with his dramatic cantata, _le tasse_, he shared with m. theodore dubois the honour of winning the musical competition instituted by the city of paris. from that time until his death godard composed a surprisingly large number of works, including four operas, _pedro de zalamea_, produced at antwerp in 1884; _jocelyn_, given in paris at the theatre du chateau d'eau, in 1888; _dante_, played at the opera comique two years later; and _la vivandiere_, left unfinished and partly scored by another hand. this last work was heard at the opera comique in 1895, and has been played in england by the carl rosa opera company. his other works include the "symphonie legendaire," "symphonie gothique," "diane" and various orchestral works. godard's productivity was enormous, and his compositions are, for this reason only, decidedly unequal. he was at his best in works of smaller dimensions, and has left many exquisite songs. among his more ambitious works the "symphonie legendaire" may be singled out as being one of the most distinctive. he had a decided individuality, and his premature death at cannes on the 10th of january 1895 was a loss to french art.