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FRANZ

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:franz:da0e36a3c353
Section
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sha256
Stored Hash
dbc320cbe5a0593bb233b2a33d2eb251c2d186f3596867872e4ba49cdd499cec
Computed Hash
dbc320cbe5a0593bb233b2a33d2eb251c2d186f3596867872e4ba49cdd499cec
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ggnorm 1.0
Observed
2026-02-08 18:42:57
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Verified Text

franz, robert (1815-1892), german composer, was born at halle on the 28th of june 1815. one of the most gifted of german song writers, he suffered in early life, as many musicians have suffered, from the hostility of his parents to a musical career. he was twenty years old when, his father's animosity conquered, he was allowed to live in dessau to study organ-playing under schneider. the two years of dry study under that famous teacher were advantageous chiefly in making him uncommonly intimate with the works of bach and handel, his knowledge of which he showed in his editions of the _matthaeus passion_, _magnificat_, ten cantatas, and of the _messiah_ and _l'allegro_, though some of these editions have long been a subject of controversy among musicians. in 1843 he published his first book of songs, which ultimately was followed by some fifty more books, containing in all about 250 songs. at halle, franz filled various public offices, including those of organist to the city, conductor of the sing-akademie and of the symphony concerts, and he was also a royal music-director and master of the music at the university. the first book of songs was warmly praised by schumann and liszt, the latter of whom wrote a lengthy review of it in schumann's paper, _die neue zeitschrift_, which later was published separately. deafness had begun to make itself apparent as early as 1841, and franz suffered also from a nervous disorder, which in 1868 compelled him to resign his offices. his future was then provided for by liszt, dr joachim, frau magnus and others, who gave him the receipts of a concert tour, amounting to some 100,000 marks. franz died on the 24th of october 1892. on his seventieth birthday he published his first and only pianoforte piece. it is easy to find here and there among his songs gems that are hardly less brilliant than the best of schumann's. certainly no musician was ever more thoughtful and more painstaking. in addition to songs he wrote a setting for double choir of the 117th psalm, and a four-part kyrie; he also edited astorga's _stabat mater_ and durante's _magnificat_.