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ESCHENBURG

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:eschenburg:508dd1079a95
Section
Hash Algorithm
sha256
Stored Hash
14a618c4ef162c1dd19a5b8ceb9cf4a525150a85a6595ef7cff420602eae38e2
Computed Hash
14a618c4ef162c1dd19a5b8ceb9cf4a525150a85a6595ef7cff420602eae38e2
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:42:49
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Verified Text

eschenburg, johann joachim (1743-1820), german critic and literary historian, was born at hamburg on the 7th of december 1743. after receiving his early education in his native town, he studied at leipzig and gottingen. in 1767 he was appointed tutor, and subsequently professor, at the collegium carolinum in brunswick. the title of "hofrat" was conferred on him in 1786, and in 1814 he was made one of the directors of the carolinum. he is best known by his efforts to familiarize his countrymen with english literature. he published a series of german translations of the principal english writers on aesthetics, such as j. brown, d. webb, charles burney, joseph priestley and r. hurd; and germany owes also to him the first complete translation (in prose) of shakespeare's plays (_william shakespear's schauspiele_, 13 vols., zurich, 1775-1782). this is virtually a revised edition of the incomplete translation published by wieland between 1762 and 1766. eschenburg died at brunswick on the 29th of february 1820. besides editing, with memoirs, the works of hagedorn, zacharia and other german poets, he was the author of a _handbuch der klassischen literatur_ (1783); _entwurf einer theorie und literatur der schonen wissenschaften_ (1783); _beispielsammlung zur theorie und literatur der schonen wissenschaften_ (8 vols., 1788-1795); _lehrbuch der wissenschaftskunde_ (1792); and _denkmaler altdeutscher dichtkunst_ (1799). most of these works have passed through several editions. eschenburg was also a poet of some pretensions, and some of his religious hymns, e.g. _ich will dich noch im tod erheben_ and _dir trau' ich, gott, und wanke nicht_, are contained in many hymnals to this day.