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CORNELIUS DE HEEM

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:cornelius de heem:343290c7da0a
Section
Hash Algorithm
sha256
Stored Hash
3c0c7dd8894ff4a664b3ecc4705bfd6928a04b28f7a0ee8a9ae049448f9f7086
Computed Hash
3c0c7dd8894ff4a664b3ecc4705bfd6928a04b28f7a0ee8a9ae049448f9f7086
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:43:08
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Verified Text

cornelius de heem, the son of johannes, was in practice as a flower painter at utrecht in 1658, and was still active in his profession in 1671 at the hague. his pictures are not equal to those of his father, but they are all well authenticated, and most of them in the galleries of the hague, dresden, cassel, vienna and berlin. in the staedel at frankfort is a fruit piece, with pot-herbs and a porcelain jug, dated 1658; another, dated 1671, is in the museum of brussels. david de heem, another member of the family, entered the gild of utrecht in 1668 and that of antwerp in 1693. the best piece assigned to him is a table with a lobster, fruit and glasses, in the gallery of amsterdam; others bear his signature in the museums of florence, st petersburg and brunswick. it is well to guard against the fallacy that david de heem above mentioned is the father of jan de heem. we should also be careful not to make two persons of the first artist, who sometimes signs johannes, sometimes jan davidsz or j. d. heem.