GoGuides Verified Text

COOPER

SHA-256 integrity check: match
Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:cooper:dc7a8c28ee63
Section
Hash Algorithm
sha256
Stored Hash
c50387d33c223fdf628e2b6acd24d69e8eba28955be34fc6e6c52d0b02e3a108
Computed Hash
c50387d33c223fdf628e2b6acd24d69e8eba28955be34fc6e6c52d0b02e3a108
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:42:28
Source URL

Verified Text

cooper, abraham (1787-1868), english animal and battle painter, the son of a tobacconist, was born in london. at the age of thirteen he became an employe at astley's amphitheatre, and was afterwards groom in the service of sir henry meux. when he was twenty-two, wishing to possess a portrait of a favourite horse under his care, he bought a manual of painting, learned something of the use of oil-colours, and painted the picture on a canvas hung against the stable wall. his master bought it and encouraged him to continue in his efforts. he accordingly began to copy prints of horses, and was introduced to benjamin marshall, the animal painter, who took him into his studio, and seems to have introduced him to the _sporting magazine_, an illustrated periodical to which he was himself a contributor. in 1814 he exhibited his "tam o'shanter," and in 1816 he won a prize of £100 for his "battle of ligny." in 1817 he exhibited his "battle of marston moor" and was made associate of the academy, and in 1820 he was elected academician. cooper, although ill educated, was a clever and conscientious artist; his colouring was somewhat flat and dead, but he was a master of equine portraiture and anatomy, and had some antiquarian knowledge. he had a special fondness for cavalier and roundhead pictures.