CHINESE PAVILLON

chinese pavillon, turkish crescent, turkish jingle, or jingling johnny (fr. _chapeau chinois_; ger. _turkischer halbmond, schellenbaum_; ital. _cappello chinese_), an instrument of percussion of indefinite sonorousness, i.e. not producing definite musical tones. the _chapeau chinois_ was formerly an adjunct in military bands, but never in the orchestra, where an instrument of somewhat similar shape, often confused with it and known as the _glockenspiel_ (q.v.), is occasionally called into requisition. the chinese pavilion consists of a pole about 6 ft. high terminating in a conical metal cap or pavilion, hung with small jingling bells and surmounted by a crescent and a star. below this pavilion are two or more metal bands forming a fanciful double crescent or squat lyre, likewise furnished with tiny bells. the two points of the crescent are curved over, ending in fanciful animal heads from whose mouths hang low streaming tails of horse-hair. the chinese pavilion is played by shaking or waving the pole up and down and jingling the bells, a movement which can at best be but a slow one repeated once or at most twice in a bar to punctuate the phrases and add brilliancy to the military music. the turkish crescent or "jingling johnny," as it was familiarly called in the british army bands, was introduced by the janissaries into western europe. it has fallen into disuse now, having been replaced by the glockenspiel or steel harmonica. edinburgh university possesses two specimens.[1] in the 18th century at bartholomew fair one of the chief bands hired was one well known as playing in london on winter evenings in front of the spring-garden coffee house and opposite wigley's. this band consisted of a double drum, a dutch organ (see barrel-organ), a tambourine, a violin, pipes and the turkish jingle.[2] (k.s.) footnotes: [1] see captain c.r. day, _descriptive catalogue of musical instruments_ (london, 1891), p. 233. [2] see hone's _everyday book_, i. 1248.