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CHABRIER
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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:chabrier:62c81f1c1709
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sha256
Stored Hash
2024e015ac319f88a17e77a7ff8f1b31f7570e539e553e7f73a8fab0dc8155b4
Computed Hash
2024e015ac319f88a17e77a7ff8f1b31f7570e539e553e7f73a8fab0dc8155b4
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ggnorm 1.0
Observed
2026-02-08 18:42:36
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Verified Text
chabrier, alexis emmanuel (1841-1894), french composer, was born at ambert, puy de dome, on the 18th of january 1841. at first he only cultivated music as an amateur, and it was not until 1879 that he threw up an administration appointment in order to devote himself entirely to the art. he had two years previously written an _opera bouffe_ entitled _l'etoile_, which was performed at the bouffes parisiens. in 1881 he was appointed chorus-master of the concerts then recently established by lamoureux. in 1883 he composed the brilliant orchestral rhapsody entitled _espana_, the themes of which he had jotted down when travelling in spain. his opera _gwendoline_ was brought out with considerable success at brussels on the 10th of april 1886, and was given later at the paris grand opera. the following year 1887, _le roi malgre lui_, an opera of a lighter description, was produced in paris at the opera comique, its run being interrupted by the terrible fire by which this theatre was destroyed. his last opera, _briseis_, was left unfinished, and performed in a fragmentary condition at the paris opera, after the composer's death in paris on the 13th of september 1894. chabrier was also the author of a set of piano pieces entitled _pieces pittoresques, valses romantiques_, for two pianos, a fantasia for horn and piano, &c. his great admiration for wagner asserted itself in _gwendoline_, a work which, in spite of inequalities due to want of experience, is animated by a high artistic ideal, is poetically conceived, and shows considerable harmonic originality, besides a thorough mastery over the treatment of the orchestra. the characteristics of _le roi malgre lui_ have been well summed up by m. joncieres when he alludes to "cette verve inepuisable, ces rythmes endiables, cette exuberance de gaiete et de vigueur, a laquelle venait se joindre la note melancolique et emue." chabrier's premature death prevented him from giving the full measure of his worth.