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BENOIT

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:benoit:3df657f557b5
Section
Hash Algorithm
sha256
Stored Hash
5a7ca87bad4613cc38a45742783107ac8cf50c57ac637b969caa56e4ae4f34af
Computed Hash
5a7ca87bad4613cc38a45742783107ac8cf50c57ac637b969caa56e4ae4f34af
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ggnorm 1.0
Observed
2026-02-08 18:42:44
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Verified Text

benoit, peter leonard leopold (1834-1901), flemish composer, was born on the 17th of august 1834 at harlebeke in flanders. his father and a local village organist were his first teachers. in 1851 benoit entered the brussels conservatoire, where he remained till 1855, studying chiefly under f.j. fetis. during this period he composed music to many melodramas, and to an opera _le village dans les montagnes_ for the park theatre, of which in 1856 he became conductor. he won a government prize and a money grant in 1857 by his cantata _le meurtre d'abel_, and this enabled him to travel through germany. in course of his journeyings he found time to write a considerable amount of music, as well as an essay _l'ecole de musique flamande et son avenir_. fetis loudly praised his _messe solennelle_, which benoit produced at brussels on his return from germany. in 1861 he visited paris for the production of his opera _le roi des aulnes_ ("erlkonig"), which, though accepted by the theatre lyrique, was never mounted; while there he conducted at the bouffes-parisiens. again returning home, he astonished a section of the musical world by the production at antwerp of a sacred tetralogy, consisting of his _cantate de noel_, the above-mentioned _mass_, a _te deum_ and a _requiem_, in which were embodied to a large extent his theories of flemish music. it was in consequence of his passion for the founding of an entirely separate flemish school that benoit changed his name from pierre to peter. by prodigious efforts he succeeded in gathering round him a small band of enthusiasts, who affected to see with him possibilities in the foundation of a school whose music should differ completely from that of the french and german schools. in its main features this school failed, for its faith was pinned to benoit's music, which is hardly more flemish than french or german. benoit's more important compositions include the flemish oratorios _de schelde_ and _lucifer_, the latter of which met with complete failure on its production in london in 1888; the operas _het dorp int gebirgte_ and _isa_, the _drama christi_; an enormous mass of songs, choruses, small cantatas and motets. benoit also wrote a great number of essays on musical matters. he died at antwerp on the 8th of march 1901.