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BANDINELLI
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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:bandinelli:5d77a14881bf
Section
Hash Algorithm
sha256
Stored Hash
3e02260e46c4159049572701f41971ea720dd14ccf538136e4f85ca1fd56c79d
Computed Hash
3e02260e46c4159049572701f41971ea720dd14ccf538136e4f85ca1fd56c79d
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:42:22
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Verified Text
bandinelli, bartolommeo or baccio (1493-1560), florentine sculptor, was the son of an eminent goldsmith, and from him bandinelli obtained the first elements of drawing. showing a strong inclination for the fine arts, he was early placed under rustici, a sculptor, and a friend of leonardo da vinci, with whom he made rapid progress. the ruling motive in his life seems to have been jealousy both of benvenuto cellini and of michelangelo, one of whose cartoons he is said to have torn up and destroyed. he is regarded by some as inferior in sculpture only to michelangelo, with whom a comparison unfavourable to bandinelli is tempted in such works as the marble colossal group of hercules and cacus in the piazza del gran duco, and the group of adam and eve in the bargello. among his best works must be reckoned the _bassi-rilievi_ in the choir of the cathedral of florence; his copy of the laocoon; and the figures of christ and nicodemus on his own tomb.