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ATTERBOM

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Source
Encyclopaedia Britannica (1911) / britannica_1911
License
public_domain
Chunk ID
1911:atterbom:12b8fd853c3c
Section
Hash Algorithm
sha256
Stored Hash
c3bf2175a0e9f6cfe8fc6c0eaa4770ee65f789f6f79990f7a009f11164bca3ac
Computed Hash
c3bf2175a0e9f6cfe8fc6c0eaa4770ee65f789f6f79990f7a009f11164bca3ac
Normalizer
ggnorm 1.0
Observed
2026-02-08 18:42:43
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atterbom, per daniel amadeus (1790-1855), swedish poet, son of a country parson, was born in the province of ostergotland on the 19th of january 1790. he studied in the university of upsala from 1805 to 1815, and became professor of philosophy there in 1828. he was the first great poet of the romantic movement which, inaugurated by the critical work of lorenzo hammerskold, was to revolutionize swedish literature. in 1807, when in his seventeenth year, he founded at upsala an artistic society, called the aurora league, the members of which included v.f. palmblad, a.a. grafstrom (d. 1870), samuel hedborn (d. 1849), and other youths whose names were destined to take a foremost rank in the literature of their generation. their first newspaper, _polyfem_, was a crude effort, soon abandoned, but in 1810 there began to appear a journal, _fosforos_, edited by atterbom, which lasted for three years and finds a place in classic swedish literature. it consisted entirely of poetry and aesthetico-polemical essays; it introduced the study of the newly arisen romantic school of germany, and formed a vehicle for the early works, not of atterbom only, but of hammerskold, dahlgren, palmblad and others. later, the members of the aurora league established the _poetisk kalender_ (1812-1822), in which their poems appeared, and a new critical organ, _svensk litteraturtidning_ (1813-1824). among atterbom's independent works the most celebrated is _lycksalighetens o_ (_the fortunate island_), a romantic drama of extraordinary beauty, published in 1823. before this he had published a somewhat in the manner of novalis. of a dramatized fairy tale, _fagel bla (the blue bird_), only a fragment, which is among the most exquisite of his writings, is preserved. as a purely lyrical poet he has not been excelled in sweden, but his more ambitious works are injured by his weakness for allegory and symbolism, and his consistent adoption of the mannerisms of tieck and novalis. in his later years he became less violent in literary controversy. he became in 1835 professor of aesthetics and literature at upsala, and four years later he was admitted to the swedish academy. he died on the 21st of july 1855. his _svenska siare och skalder_ (6 vols., 1841-1855, supplement, 1864) consists of a series of biographies of swedish poets and men of letters, which forms a valuable history of swedish letters down to the end of the "classical" period. atterbom's works were collected (13 vols., orebro) in 1854-1870.